Mrida 17

SGD 0.00

54 x 43.5cm (framed)
Acrylic, natural earth pigments, limestone on 400 GSM acid free paper

Please email artstudio.aparna@gmail.com for enquiries.

In Mrida 17, I explore the subtle variations in colour, texture and form found within soil and clay, highlighting the visual complexity of earth beyond its commonly perceived uniform appearance.

Working on 400 GSM acid-free paper using acrylic colours and natural earth pigments, I investigate the relationship between natural materials and abstract composition.

Through dilution, layering, mixing and repetition, the pigments interact to create shifts in colour, tonal intensity and surface texture. The resulting forms emerge from the interplay of materials and process, retaining a connection to the earth while moving away from direct representation.

As part of my Mrida series, Mrida 17 reflects my ongoing exploration of the overlooked beauty of earth, drawing attention to the diversity of colours and patterns found within this familiar natural material.

Back to Mrida | « Mrida 16

54 x 43.5cm (framed)
Acrylic, natural earth pigments, limestone on 400 GSM acid free paper

Please email artstudio.aparna@gmail.com for enquiries.

In Mrida 17, I explore the subtle variations in colour, texture and form found within soil and clay, highlighting the visual complexity of earth beyond its commonly perceived uniform appearance.

Working on 400 GSM acid-free paper using acrylic colours and natural earth pigments, I investigate the relationship between natural materials and abstract composition.

Through dilution, layering, mixing and repetition, the pigments interact to create shifts in colour, tonal intensity and surface texture. The resulting forms emerge from the interplay of materials and process, retaining a connection to the earth while moving away from direct representation.

As part of my Mrida series, Mrida 17 reflects my ongoing exploration of the overlooked beauty of earth, drawing attention to the diversity of colours and patterns found within this familiar natural material.

Back to Mrida | « Mrida 16